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Fictions, such as romance novels 10, TV shows 11, epic poems 12 or tragedies 13, are all consistently aligned with humans’ universal interest for information related to mating, commitment and status competition for reviews and discussions, see refs. Similarly, Morin 9 has shown that direct-gaze Renaissance portraits are more popular than averted-gaze portraits.
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Recent work has indeed shown that people’s preferences in various areas of social cognition are reflected in cultural artefacts: Costa and Corazza 8 demonstrated that the people’s preference for friendly-looking faces leads painters to exaggerate “neotenic” features in their portraits (big eyes or round faces). These cultural artefacts are the remnants of people’s past psychologies and can function as cognitive fossils of extinct mentalities and social preferences. Quite obviously, we cannot go back in time and ask people to fill out questionnaires or play economic games 5, 6, 7 but we still have access to what their minds produced: books, songs, paintings, sculptures, etc. However, quantitative evidence is scarce and progress in the history of mentalities has been limited by the paucity of tools to capture people’s extinct mental life. Historians have used a range of cues to document this process: etiquette manuals, registries of friendly societies, or legal changes 1, 3, 4. A number of historical observations suggest that social trust rose steadily in Europe from the early modern period onwards: religious tolerance increased, witch hunts abated, honor killings and revenge lost their appeal and intellectual freedom became a central value of modern countries 1, 2.